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A home from Brad Pitt's Make It Right FoundationThere's nothing ugly about Brad Pitt or his desire to rebuild homes for Katrina victims through his foundation, Make It Right.

However, some grumble that the ultra-modern green buildings are, well, fugly.

The New York Times just covered the newly-built community locally dubbed the "Brad Pitt houses." Despite all the effort and good intentions some feel the homes might have ignored one basic need of its intended audience: the comfort of the familiar.

The architectural diversity displayed in the first 15 completed houses please the design crowd but lacks reference to the area's history. As the article states, "Indeed, the houses seem better suited to an exhibition of avant-garde architecture than to a neighborhood struggling to recover." The article quotes Jennifer Pearl, a broker in the ninth-ward as saying, "...had [Pitt] come here with houses that looked like what had been here before, he probably could have had four times, five times as many houses up by now."

Great design is commendable, but does it lose value when it destroys its stated objective, that of returning normalcy to those who have suffered? Design and building results from another non-profit suggests that it might.


The shared design challenge of "returning normalcy" is addressed differently by Homes For Our Troops, a nonprofit that builds accessible LEED-certified homes for severely injured Iraq and Afghanistan veterans.

Like Pitt's Make It Right homes, these homes are built with green integrity. However, their external design is by far more traditional in appearance.

Certainly, Homes For Our Troops (HFOT) has the advantage of building in areas of the country that are not flood-prone. But thisHomes For Our Troops doesn't mean that the HFOT homes aren't without challenge: each must be personalized and built for a severely injured service member.

A traditional-looking home might prove more effective at providing a sense of "normal." The comfort of feeling that your house "blends in" with the larger community may help with the readjustment into daily routine. Traditional homes don't draw unwanted attention, either.

Few traumatized people are likely to desire living in brightly-hued, show-stopping houses worthy of a bus tour. Most would probably prefer rebuilding their lives outside any spotlight at all.

The Make It Right homes are to be commended for their ingenuity and generosity, but, called into question for the unwarranted attention they may draw to those who don't want fanfare.
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Tags: Afghanistan, brad pitt, green building, Homes For Our Troops, Housing Watch, HousingWatch, Iraq, Katrina, LEED, Make It Right, New orleans

Reader Comments (Page 1 of 1)

1. wjm on Monday, Dec 21st at 08:52:AM said...

I am the architect that designed the Homes For Our Troops house you see above. Many hours went into carefully designing this house for the complete comfort of the veteran who received it and for the community that embraced him. Not just interior comfort but also his comfort in rejoining and re-connecting to his new neighborhood. The comfort of feeling that your house "blends in" with the larger community DOES help with the readjustment into daily routine.
I do not mean to detract from Brad Pitt or his Foundation, it is great work they do. However design by definition implies it is done for some purpose. What is the purpose of designing a home that does not fit the context and history of an incredible city? Architecture has the power to create beautiful shelter for the needs, hopes, dreams and memories of humankind, both collectively and individually. Will this design really make New Orleans better? Shouldn't we instead draw design inspiration from the beauty of New Orleans and the comfort of it's people? I love the art of architecture, but visual aesthetics alone does NOT constitute good design. In my view the success of a design is measured by the comfort of all the people who live and work IN AND AROUND the design. During an interview I gave to a local reporter, I commented that the house was deliberately designed look ordinary, his response back to me was “it’s just beautiful”.

2. David Freeman on Wednesday, Feb 17th at 11:01:AM said...

I can only agree with WJM's assessment of this situation. New Orleans, especially, is a town known for its old homes that evoke a certain feeling, not the feeling you're at the Guggenheim or an IM Pei exhibit. I laude Mr. Pitts work and wishes in wanting to help these people. But much like Americans rushing in to create the world in our own image, whether they want it or not, thats what I see in the homes Mr. Pitt has helped build. Its fine if this is where his interests lie, but as WJM comments, what is the comfort level of an already traumatized person going to be when they are stuck into the middle of a zoo-like atmosphere? (Or just a home that doesn't match their lifestyle?) are they better than a FEMA Trailer? Sure. But if Mr. Pitt was fully invested in helping these people "return to normalcy", (as an ex-president once coined the term), instead of coming in with the Bull's Rush attitude, maybe he'd have done a little listening before he had the hammers start to swing. This is a situation where the advice of a true professional comes in handy, and not someone "who is in to architecture". I'm sorry, but there is a difference in the two....And it matters. As a Landscape Designer, if my design makes the people feel less at home, or makes their home stand out too much from the neighborhood in which they live, have I realy done well by my client? I think not.

3. George Riethof on Monday, May 3rd at 10:53:AM said...

I echo Bill Martin's sentiments, and add that, as a real estate appraiser, one of the best ways to depreciate the value of a property is to create the improvements in an atypical, unexpected, inorganic and excessively bold manner, out of touch with the local design vernacular. It doesn't take long to identify the adverse impact on value of a house that has been designed mostly to mirror the architect's or developer's vanity: case in point is the 'Deck House' designs developed mostly in the 1970's in the Eastern Massachusetts area. As soon as the late 1980's and early 1990's, these unique and challenging designs were yielding impaired values as compared with other designs which were equivalently satisfying from an aesthetic standpoint, but were less costly to maintain, and fit the changing usage patterns experienced in a changing demographic. I see many instances where the ego of the architect and developer is all there is to tout in a design, and the functional appeal is buried behind this veneer. This has a clear adverse impact on value in many cases.

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